Archive for July, 2008

22 July Audio Archive – Jeff Albert Quartet

Posted by on Jul 23 2008 | Doug Garrison, Jeff Albert, Performance Archives, Ray Moore, Tommy Sciple

This is the audio archive from 22 July 08. The files are 128k VBR mp3s.

Musicians: Jeff Albert (trombone), Ray Moore (alto sax), Tommy Sciple (bass), Doug Garrison (drums)

Set 1 (mp3)

Set 2 (mp3)


Creative Commons License
This music free to share under a Creative
Commons Music Sharing License
.

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Audio Archive 15 July 08

Posted by on Jul 20 2008 | Andrew Weathers, Justin Peake, Performance Archives, Pics

This is the audio archive from 15 July 08. The files are 128k VBR mp3s.

Musicians: Andrew Weathers (guitar, laptop) Justin Peake (percussion, laptop)

weathers.jpg

Andrew Weathers (mp3)

justin_bells.jpg

Beautiful Bells (Justin Peake) (mp3)

Andrew Weathers & Justin Peake (mp3)


Creative Commons License
This music free to share under a Creative
Commons Music Sharing License
.

no comments for now

Jonathan Freilich Trio

Posted by on Jul 08 2008 | Upcoming Events

Jonathan Freilich (guitar), Peter Harris (bass), Dave Cappello (drums)

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Brigham Hall

Posted by on Jul 08 2008 | Upcoming Events

Musicians tba

www.brighamhall.com

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Boudreaux/Morrow/ Peake/Albert

Posted by on Jul 08 2008 | Upcoming Events

Improvised music by:

Robin Boudreaux (saxes), Jesse Morrow (bass), Justin Peake (drums), and Jeff Albert (trombone)

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slyo plus NOLA guests

Posted by on Jul 08 2008 | Upcoming Events

Set 1 – slyo

Set 2 – Nat Slaughter, Katherine Young, Justin Peake, and Jeff Albert

slyo, a series of performances by nat slaughter (contrabass) and katherine young (bassoon), investigates the relationships between site specificity (spaces in cities and non-urban places) and sound. the plan is geographic and intuitive: at selected sites in the contiguous southeastern united states these two will use their instruments and the environmental parameters to formulate and manifest sounds in and for each space.

slaughter and young corresponded only a few times before they first met and played together. as a result, the sounds they spontaneously composed were informed more by their performative environment than other traditional musical structures. this initial experience in this particular place – a small, rectangular space with mats and floor pillows functioning as a meditation room – encouraged them to seek out new spaces based on details, location, and personalitym as slaughter explains, what will emerge from this process are ‘limprovisational sound designs that space and environment inform.” young adds, “we are looking forward to traveling to new places and to exploring in new ways places we’ve been before.”

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